【TAIKER INTERVIEW】DJ Byron Yeates　Where Rhythm, Community, and Instinct Meet/ 當舞池成為一種本能　DJ Byron Yeates 與節奏共生的成長軌跡

【臺客專訪】當舞池成為一種本能　DJ Byron Yeates 與節奏共生的成長軌跡/ DJ Byron Yeates　Where Rhythm, Community, and Instinct Meet

【Cover Story】Return to 1977: Jin Young at the Crossroads of Taiwan’s History/ 重返1977　振永站在臺灣歷史的十字路

【封面人物】重返1977　振永站在臺灣歷史的十字路/ Return to 1977: Jin Young at the Crossroads of Taiwan’s History

【封面人物】曾敬驊的靈魂說話時　光會知道/ Tseng Jing-Hua — When the Soul Speaks, Light Listens


【臺客專訪】蘭　在語言止步處，音樂開始說話/ Orchild: Songs That Speak When Language Cannot

【臺客專訪】《火車晚了》老莫的語言實驗與嘻哈重量/ ILL MO’s Translate: Experiments in Language and the Weight of Hip-Hop

【INTERVIEW】Theseus Marks Friendship and a Decade’s Investment with an All-Taiwanese Album/ 忒修斯全臺語專輯　未擇之路上的友情與定存

【臺客專訪】忒修斯全臺語專輯　未擇之路上的友情與定存/ Theseus Marks Friendship and a Decade’s Investment with an All-Taiwanese Album

【臺客專訪】Constantin Riant 在藍白之間停下腳步 / Constantin Riant: In the Weave of Memory and Emotion

【Cover Story】Lee Seung-Yoon’s Quiet Rebellion: Writing His Name in the Night/ 李承允的易姓革命　在夜裡寫下自己的名字

【封面人物】李承允的易姓革命　在夜裡寫下自己的名字/ Lee Seung-Yoon’s Quiet Rebellion: Writing His Name in the Night

【臺客專訪】從嘻哈叛逆到為女兒而唱　謝和弦用《2203扣人心弦（下）》重新定義自己/ From Rebellion to Redemption: R.Chord Redefines Himself

【臺客專訪】從臺中二樓到臺北舞台　PIZZALI用嘻哈破關遊戲人生/ From a Taichung Rooftop to the Taipei Stage: PIZZALI Levels Up Through Hip-Hop

【COVER STORY】Vivian Dawson Is Not Just a Return, But a Reinvention/ 錦榮的回歸，一場偉大的 A Great Comeback